|
Track listing for The Best Of Rêve Bohème 2007 1 Just one
of those things
|
Buy CD - www.calibrated.dk. |
|
| 1) Just one of those things | A
beautiful dark, melodic and complex composition by Cole Porter. Just a song
for Django with its rich harmonies and catchy melody. He recorded it twice
with a strong bebop feeling in his solos with his Nouveau Quintette and
Rostaing on clarinet on May 25 and Sept. 19, 1947. The lyrics about a long night downtown we're you at some hour have to decide if you want to go home - or not. In Rêve Bohème's version we have the first chorus with vocal before we go into fast gypsy swing.
|
| 2) Melodie au Crepuscule | Also
known under the name ”Love's Melody” this beautiful song was recorded
first by Django & son Orchestra with vocals by Nelly Kay in July 7, 1943,
and later on with Grappelly on violin at the reunion after the war at
February 1, 1946. Two other recordings were done in Nov. 8-13, 1947.
|
| 3) Red Lights | One of our own compositions made by the whole band. Like the first song it's about a long night downtown. In this case the inspiration came from a visit to the red light neighbourhood in Den Haag on a tour in Netherlands. The rhythm is tense and dramatic in a gypsy-latin style. |
| 4) Porto Cabello | A
pseudo-mexican air composed by Django in 1947. The opening is mysterious
an exotic and shows Django's inspiration from Debussy and Ravel until the
song changes dramatically to an uptempo bebop-tune with surprising chord-changes.
It was recorded two times by Django and his Nouveau Quintette with Rostaing
on May 21, 1947 and Sept. 7-22, 1947. In Rêve Bohème's version the clarinet also plays the opening to get the right ambiance. In the fast part we transposed the chords under the sax-solo.
|
| 5) Trying to | A composition by Jens Fuglsang. A homage to two great musicians. The instrumental part is inspired by the great Tscavolo Schimtt and his funky old school playing while the vocal is influenced by the jazz singer and piano player Nat King Cole.
|
| 6) Django's dream | Django's
dream is an improvisation based on Debussy's piece called Reverie. Django
was always drawn by the impressionistic sounds of Debussy and Ravel and
this slow ballad is his tribute to the two great composers. It was recorded
two times, first on Sept. 7, 1947 with Hubert Rostaing and secondly with
an Italian group Jan. 1950 with Andre Ekyan on clarinet.
|
| 7) Spring in Oslo | A composition by Robert Pilgaard inspired by a trip to Oslo in Norway. Rêve Bohème we’re playing ”hot gypsy jazz” in a very cold country with snow everywhere. But suddenly sthe sun was shining and gave the feeling that spring was on its way.
|
| 8) Rain Waltz | Composed by Jens Fuglsang. A melancholy Nordic waltz about missing the one you love. The Norwegian singer Lise Haavik sings the melody while her father Einer Haavik plays the accordion. |
| 9) Vette | A
catchy melody in medium up-tempo. It was first recorded in 1943 with his
wartime-quintet but this version is still un-issued. Later he recorded
the tune on July 6, 1947 with the Nouveau Quintette. In this bebop-version,
with Hubert Rostaing on clarinet, you can hear the influence from Dizzy
and Bird in Django's fast solo.
|
| 10) Pêche à la mouche | A
nice and relaxed medium swing-tune which Django recorded twice. The first
version was recorded April 1947 with a band called "Django Reinhardt
et son Orchestra du Boeuf sur le Toit" that featured Michel de Villers
on alto-sax and Django on acoustic guitar.
|
| 11) Limehouse Blues | An old standard by Braham/Furber recorded four times by Django. Rêve Bohème’s version starts slowly and then goes up-tempo with quotes from Django’s most famous recording made on May 4, 1936, by the Hot Club de France.
|
| 12) Django Jalousie | Composed by Kasper Fredholm with a reference in the title to the famous “Tango Jalousie” by Danish Composer Jacob Gade. A melodic and catchy theme that goes into a minor blues progression in the solos.
|
| 13) Sofie Swing | Composed by Jens Fuglsang. Made for his daughter Sofie who loves to dance to Gypsy Jazz. A busy minor theme that goes into a latin swing in the last part.
|
| 14) Stockholm | This
avantgarde-composition with its "modern" augmented harmony in
the opening was composed under Quintette du Hot Club de France's Scandinavian-tour
in 1939. It is more a concert-piece then a swing tune and Django recorded
it three times in different arrangements . First with the string-quintet
on March 21, 1939, and later with the big orchestra Django's Music on
Dec. 26, 1940 and finally with the Nouveau Quintette on Sept. 7-19, 1947.
|
| 15) Webster | This composition is not a tribute to sax-player Ben Webster but it's the name of one tape-recorders that Django bought in 1948. The tape-recorder was a revolution for Django because he could record his own concerts, like the one I Brussels Dec. 1948, and it made it easier for him to compose larger arrangements. Webster has a flavour of bebop and the chord-changes are similar to another Django-tune called Coquette. It was recorded only one time in Rome together with Stephane Grappelly and an Italian group Jan. & Feb. 1950.
|
| 16) Hungaria | This
classic uptempo Django-composition with the characteristic semitone chord-changes
in the opening was recorded five times. The two classic takes was made
with Stephane Grappelli and the Hot Club de France on March 21, 1939 and
May 17, 1939. The last recording was made on Sep. 11, 1941 with his wartime-quintet
featuring Andre Ekyan on alto-sax.
|
| 17) Nocturne | This
beautiful nocturnal melody was co-written with Stephane Grappelli. It
was probably more a casual improvisation over a chromatic idea then a
pre-composed song when they recorded it as a duet on Feb. 1, 1938 - but
the ambiance is perfect.
|
| 18) Solen er så rød | “Why is the sun so red”. A Danish lullaby every Danish child knows composed by the Danish national classical composer Carl Nielsen in 1924. We made a version were the guitar improvise on the melody which is later introduced by the sax.
|
| Close Window | Buy
CD - www.calibrated.dk.
|